![]() As Bass Guitar Magazine put it, they were “ modest options in terms of looks, available in limited colour options with no decorative inlays and controls and pickups mounted on the scratch-plate.” Released in 1973, the Ripper and the Grabber were – like much of Gibson’s output at the time – produced with the budget end of the guitar market in mind. To see that, you’ve only got to look at the Ripper and Grabber, two of Gibson’s bass guitar offerings from the mid-1970s that – in spite of a handful of high-profile endorsees – failed to ignite the interests of the guitar buying public. Often described as the “downer decade,” it was an era in which both companies struggled with quality control issues and released instruments that failed to captivate the guitar buying public like their previous offerings. But, by the turn of the decade, things were different. In the ‘50s and ‘60s, Gibson and Fender scored innovation after innovation and revolutionized the marketplace in the process. If you know your guitar history, you’ll know that the seventies were trying times for the big instrument manufacturers.
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